Thursday, September 16, 2010

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Suspiria (1977) Let

Directed by Dario Argento

With Flavio Bucci, Alida Valli, Stefania Casini, Jessica Harper, Miguel Bosé, Barbara Magnolfi Rudolf Schundler, Fulvio Mingozzi, Renato Scarpa, Udo Kier, Susanna Javicoli, Renata Zamengo, Eva Axen, Joan Bennett, Joan Bennett, Joseph Transocchi, Jacopo Mariani, Giovanna Di Bernardo.

Susy, a young classical dancer to leave the States and went to Freiburg to complete his studies at the famous local dance school, the Academy Tanz. Board (including thunder, lightning and thunderbolts) Academy, he runs into Pat, a girl on the run from the building that seemingly meaningless phrases pronunciation. The next day he learns that the student ran away from the deputy director was brutally tortured by a maniac. Susy is now friends with Sarah, who confesses to be seriously concerned because of strange and inexplicable events that are taking place within the academy. To confirm this, the pianist of the school is torn from his dog, Susy is a victim of an illness, her friend Sara disappears and a guideline that should be left outside tracks ("sighs") of his presence. She decides to investigate and discovers that the school was founded by a woman fled her country because they were accused of witchcraft ...

"Suzy Banner, decided to perfect her ballet studies in the most famous European ballet school, he chose the celebrated academy of Freiburg. Parties to a day at nine in the morning from New York and arrived in Germany at 10:45 am local time. " With

Silver's voice opens a film intended to influence the international horror cinema. Visually, all in Suspiria acquires an aesthetic and very vibrant. One of the last films to use for the photo, the size Technicolor, which was now in danger of extinction and it became very costly, the party is dominated by red blood silver, used at 360 ° pivotal moment in the film the title work. Green is destined primarily to accompany the final moments of Sarah, and never have been more appropriate color. The blue color is the typical night, replaced by a yellow sick in the final Grand Guignol. Outside of school, however, the colors fall within the normal range dela milder (the taxi ride is not text, is a companion with a little taste of the monstrous palette that awaits the dancer in the school). Far
thickness is certainly given by the extraordinary characterization and setting, which literally comes to life. The most emblematic example is characterized by the scene where Miss Tanner after learning of the attack suffered by Albert from the small German shepherd Daniel, runs quickly down the corridor to get to the ballroom and pounce on the pianist. The charge donated by physical Alida Valli his character, imposing on almost orthopedic heels, arms parallel to the rigid body and devilish grin (it seems is almost chuckling) is compounded by the side columns of the hall, standing vertical upward, almost shouting, and assuming the appearance of tongues of fire that surround the teacher in an image satanic as it is rarely ever seen the movies.
The simplicity of the narrative structure of the work is superbly matched by an obsessive search aesthetic effect. We are in a dance school? Murders are extremely choreography (c) attention to the smallest detail. And Susy, with its purity inner (and outer, judging from the way the clothes fit, rather than the clothes you wear), can not recall to mind the white heroine destined to go through hell and back to being contaminated by pure white, but stronger than before: White . It is no accident. Suspiria, Argento's original in conception, should have been focusing on a dance school for girls, maximum symbol of purity, but the risk of hitting in denominations of censorship and the objective can not be reserved for minor creatures the same treatment suffered by girls the cast brought the director to move the setting for some years, but not without leaving a trace: the girls, in fact, to open the doors of various rooms of the school must raise his arm to reach the handle to the height of their face, just like any of us have done at 4, 5 or 6 years ...


SCENE CLOU
The first murder, gruesome. Still, not taking his eyes from the screen. Pat, who fled the school, he took refuge at a friend and close to his room to restore order in his head, after being witness to something very decisive and overwhelming. Surrounded by nature esheriana furniture, known (and feels) a presence outside of the window during the night, shrouded in darkness. Bed sheets and hung loose from the figures seem to create the form on the left. Pat went to the window and with the help of a lamp terrified glances outwards. The following three minutes, culminating with the macabre and colorful representation of the bodies of two girls mixed with shards of glass and metal rods crazy, are nothing short of intolerable.


DVD
continues to triumph Anchor Bay Entertainment, a product with 3 discs now a bit 'dated, but still unsurpassed combination of quality audio, video and special content. Dolby 2.0 surround audio for the tracks in French and Italian, 6.1 DTS-ES and Dolby Digital Surround EX English. Image is almost always clear, with some shelling in scenes dominated by black. An excellent selection of extras: the first disc than the film, are proudly displayed a series of movie trailers, television, and radio, a video clip of the Demons, poster and photo gallery, biographies and filmographies. The second disc is dedicated to the highlight of this edition: a new documentary on the 52-minute film, with commentary by Dario Argento (film director), Daria Nicolodi (screenwriter and "failure" of the film Sarah, much to his regret), Luciano Tovoli (director of photography superb), Goblins (responsible hypnotism soundtrack, which together with that of Deep Red contends the first places among the most engaging music and imitated the history of cinema "from fear") and the cast, composed by Jessica Harper, Stefania Casini, and Udo Kier. The third disc contains the film's soundtrack. Completing the package 10 postcards and a booklet of 32 pages with photos and interviews.
The DVD is unfortunately out of print, but if you are careful researchers recoverable Web

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