at 19:10 The Etruscan still kills (1971)
Director: Armando Crispino; Story and Screenplay: Lucio tread, A. Crispino; photo: Erico Menczer, music: Riz Ortolani; editing: Alberto Gallitto; Cast: Alex Cord, Samantha Eggar, John Marley, Carlo De Mejo, Nadja Tiller, Enzo Cerusico; Origin: Yugoslavia / Italy / West Germany; production: Inex Film, Mondial Te.Fi. - Television Film, Filmkunst CCC, duration: 107 '
"At Spoleto during the Festival dei Due Mondi, an incomprehensible chain of murders disrupts the lives of many of the participants (including the family of the conductor Samarakis). At the same time an archaeologist discovers a tomb in Tarquinia fresco depicting the killing of a young couple. And couples are also the victims of the mysterious murderess (Poppi / Pecorari). "The Etruscan still kills came just as magical and mysterious atmosphere of the movie suggestion. If I could I pushed the story even more towards this direction, but unfortunately I did not have allowed. The idea was born during an occasional visit to the necropolis of Cerveteri and the suggestion that, in fact, I felt at that time, among those tombs, with "presence" almost palpable that hovered around it. [...] The film was the first in Italy, a contribution from the American distribution. It cost 400 million pounds and released only in Italy, built over a billion in only the first visions of the sixteen cities capozona. And in Rome, the ticket price was then the ten thousand thousand pounds against the current ... "(Armando Crispino).
prohibited to minors under 14 years
21.10 Sunspots (1975)
Director: Armando Crispino; Story and Screenplay: Lucio Manlio tread, A. Crispino, photography: Carlo Carlini, music: Ennio Morricone; editor: Daniel Alabiso; Cast: Mimsy Farmer, Barry Primus, Ray Lovelock, Massimo Serato, Carlo Cataneo, Gaby Wagner, Origin: Italy, production: Film Clodius; length: 104 '
'A series of murders disrupts the life of a young researcher: die in mysterious circumstances the woman should have married her father, a widower Gianni Sanna, then the latter, falling from a window. When the girl is going to be a victim of the murderer (and with it the her man), the wild is finally unmasked "(Poppi / Pecorari). "I turned around entirely in Rome in August 1974. A Roma empty, as rarefied, oppressed by the heat and totally different from the chaotic city that we usually see. A city that seemed wrapped up, in spite of its incomparable beauty, with a veil of death. This movie was born, therefore, a suggestion from the environment by un'imperscrutabile feeling of anxiety that grabs you when you come to visit you in the face of things, situations or atmospheres outside, or beyond, the normal rhythm to the rhythms of our life. You feel suddenly blown away and got the spell of the unknown that in itself creates fear [...]. [The idea the negative influence of "sunspots ed] arose from a news story - that I discovered along with the writer Lucio tread - which talked about a resurgence of suicide apparently unmotivated which ran during the summer. This trend actually depended on a strange solar phenomenon that caused reactions in individuals paroxysmal psychos. Intrigued, inform us in the press and decided to write a story "thriller" centered on the figure of a young nurse serving in a morgue precisely from this fact. [.. .] I remember that, at the same time in the film, a murder was committed "real" journalists on a beach and I pointed out as a sort of forerunner of the wave of collective insanity that ensued. I confess to having felt a certain satisfaction "copyright" for this, although it is certainly a great merit! [...] In essence, there was a loss of linearity mind due to its climatic upheaval in conjunction with the loneliness that accompanies certain subjects during the summer. [...] I particularly remember the Museum of Criminology, I invented that piece by piece inside of the State. For example, the exhibition of photographs of the person amalgamai developing and enlarging the most violent images collected in a book on criminology. They were all environments with great emotional effect "(Armando Crispino).
Prohibited children under 18
Source: http://www.fondazionecsc.it/events_detail.jsp?IDAREA=9&ID_EVENT=170>EMPLATE=events.jsp
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